O cd está em bom estado, ouvi-o hoje antes de o pôr à venda e tocou sem riscos, mas na cópia há umas linhas (não são riscos, não têm profundidade) que se podem ver na foto 5.

Se tiver qualquer problema, avise-me e devolvo-lhe o dinheiro.

Caixa em bom estado, mas com um risco na contra-capa por cima de ""Salisburgensis"

5 eur + 2,30 de portes (1.80 ctt + 0.50 pelo envelope almofadado)

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Heinrich Ignaz Franz Biber - Missa Salisburgensis - 1682 (?)

Maestro: Reinhard Goebel
Ensemble: Musica Antiqua Köln

Maestro: Paul McCreesh
Ensemble: Gabrieli Consort & Players

Recording: Romsey, Hampshire, Abbey Church of SS. Mary & Ethelflaeda, 7/1997
32-pages booklet
Total time: 71:52

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The Missa Salisburgensis à 53 voci is perhaps the largest-scale piece of extant sacred Baroque music, an archetypal work of the Colossal Baroque that is now universally accepted to be by Heinrich Ignaz Franz Biber.

The manuscript score of this Mass was rediscovered in the 1870s in the home of a greengrocer in Salzburg, Austria.

It has been said to have narrowly escaped being used to wrap vegetables.

In the late 19th century, musicologists, notably August Wilhelm Ambros and Franz Xavier Jelinek, attributed it to Orazio Benevoli, and argued that it had been performed in 1628; however in the mid-1970s, through modern methods of analyzing handwriting, watermarks, and history, Ernst Hintermaier "proved...definitely" that it was not by Benevoli. He also demonstrated that it must have been written for the 1682 commemoration of the 1100th anniversary of the Archbishopric of Salzburg.

Hintermaier wrote in 2015 that the evidence rules out both Benevoli and Andreas Hofer, Biber's colleague, and concludes that "... the only possible composer of the Mass and the [companion] motet [for 54 voices, Plaudite Tympana] was Heinrich Ignaz Franz Biber... both the sources and the stylistic analysis clearly point to Biber as the author of the works."

The Missa Salisburgensis is a polychoral composition which takes advantage of the multiple organs and various locations available for groups of singers and musicians to perform in Salzburg Cathedral, probably for the 1682 celebrations marking the 1100th anniversary of the founding of the Archbishopric of Salzburg.

The vocal parts feature in concerto (soloists) and in cappella (the full choir) parts across the sixteen vocal lines.

However, several times in the Mass, the composer "collapses" all the voices into simple four part harmony (SATB) and uses some of the instrumental groups, the cornetto and trombone choir, in particular, to play in unison with the human voices.

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1 Ein Langer Und Schöner Aufzug (Riedl) / Ein Schöner Aufzug (Augustiner)
Composed By – Bartholomäus Riedl, Pater Ignatius Augustiner - 2:39

Biber - Missa Salisburgensis
2 Kyrie 5:51
3 Gloria 9:44
4 Sonatae Tam Aris Quam Aulis Servientes: Sonata XII 5:21
5 Credo 15:05
6 Sonatae Tam Aris Quam Aulis Servientes: Sonata V 6:03
7 Sanctus - Benedictus 8:05
8 Agnus Dei 8:26

9 Sonata Sancti Polycarpi 4:34
10 Motet "Plaudite Tympana" 6:02

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MUSICA CLASSICA - BARROCO