Cinema Journal and Media Studies
volume 57, no. 2.
University of Texas Press; Austin. 2017. Brochura de capa mole. 188 páginsa
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sinopse:
JCMS: Journal of Cinema and Media Studies is the peer-reviewed, scholarly publication of the Society for Cinema and Media Studies (SCMS). JCMS's basic mission is to foster engaged debate and rigorous thinking among humanities scholars of film, television, digital media, and other audiovisual technologies. We are committed to the aesthetic, political, and cultural interpretation of these media and their production, circulation, and reception.
To that end, JCMS is dedicated to intellectual diversity of all kinds. We publish critical inquiry into the global, national, and local circulation of a wide variety of media. We seek to promote a range of approaches to film and media studies and attendant fields, including (but not limited to) digital media, sound studies, visual culture, video game studies, fan studies, and avant-garde and experimental film and media practices.
Matérias:
- Rage against the Machine: Buffering, Noise, and Perpetual Anxiety in the Age of Connected Viewing, by Neta Alexander
- La Jetée in Historical Time: Torture, Visuality, Displacement, by Matthew Croombs
- A New Vision: J. J. Abrams, Star Trek, and Promotional Authorship, by Leora Hadas
- Solving the Day-Care Crisis, One Episode at a Time: Family Sitcoms and Privatized Child Care in the 1980s, by Alice Leppert
- From Zero to Hero: The CIA and Hollywood Today, by Tony Shaw & Tricia Jenkins
- Beyond Watchmen, by Blair Davis
- World-Building in Watchmen, by Mark J. P. Wolf
- The Continuing Adventures of the “Inherently Unfilmable” Book: Zack Snyder’s Watchmen, by Aaron Taylor
- “Watched any good books lately?”: The Formal Failure of the Watchmen Motion Comic, by Drew Morton
- “Who makes the world?”: Before Watchmen, Nostalgia, and Franchising, by Kathryn M. Frank
-Watchmen from the Point of View of Cinema and Media Study, by Dana Polan
- Considering Watchmen: Poetics, Property, Politics by Andrew Hoberek
- The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art ed. by Frances Gateward
- Hellboy’s World: Comics and Monsters on the Margins by Scott Bukatman
- The Origins of Comics from William Hogarth to Winsor McCay by Thierry Smolderen