Livros sobre primitivismo, exotismo e arte primitiva

Frances Connelly - The Sleep of Reason: Primitivism in Modern European Art and Aesthetics, 1725 to 1907 - Pennsylvania State University Press, 1999
(peq. sinais e notass marginais a lápis)
Based upon a close reading of eighteenth- and nineteenth-century sources, including voyage accounts, ethnographies, aesthetic theories, and popular journals, The Sleep of Reason establishes that the term "primitive" art did not refer so much to actual stylistic traditions but to a collection of visual attributes that Europeans construed to be universal characteristics of "primitive" expression, specifically the hieroglyph, the grotesque, and the ornamental. Connelly provides case studies of artists and aestheticians who advocated, attempted, or realized the assimilation of these "primitive" characteristics, including some artists never before associated with primitivism as well as significant re-evaluations of Gauguin and Picasso.
45€

José Antonio González Alcantud - El exotismo en las vanguardias artistico literarias - Anthropos, 1989
(sublinhados e notas a lápis)
8€

Vincent Bounoure - Le Surréalisme et les arts sauvages - Editions L'Harmattan, 2003
Ces pages proposent théoriquement et pratiquement, références et exemples à l'appui, une anthropologie du désir, une érotologie de la civilisation à créer, qui pourrait être une civilisation surréaliste, et dont les civilisations sauvages, mieux que celle-ci qui les a écrasées, ont fourni par leurs arts et par leurs mœurs les plus précieux linéaments.
20€

Michel Leiris - L'Afrique fantôme - Gallimard, 1988
Invité par l'ethnologue Marcel Griaule, Michel Leiris se joint à la mission scientifique Dakar-Djibouti, pour un voyage de 21 mois à travers l'Afrique. Il est supposé tenir le carnet de route de l'expédition mais, bien vite, ses propres impressions prennent le dessus. Avec une subjectivité revendiquée, attitude inhabituelle pour l'époque, l'auteur découvre l'Afrique coloniale avec ses mystères mais aussi ses bassesses.
12€

Carl Einstein - La Sculpture Nègre - L'Harmmatan, 2002
14€

Liliane Meffre - Carl Einstein: itinéraires d'une pensée moderne - Sorbonne Université Presses, 2002
Cet ouvrage est le premier à explorer l'ensemble des itinéraires intellectuels qu'emprunta Carl Einstein en ces débuts fascinants du XXe siècle. Il s'appuie sur l'analyse des œuvres, de très nombreux documents inédits, des correspondances, des souvenirs recueillis auprès des derniers contemporains de Carl Einstein tels D.-H. Kahnweiler, Louise et Michel Leiris, Maria Jolas.
25€

Jean-Maurice Monnoyer - Walter Benjamin, Carl Einstein et les arts primitifs - PU PAU, 1999
(pequena descoloração na capa)
10€

October, n. 107, 2004
Special Issue: Carl Einstein
10€

Clifford - The Predicament of Culture. Twentieth-Century Ethnography, Literature, and Art - Harvard University Press, 1988
10€

Nicholas Thomas - Possessions, Indigenous Art / Colonial Culture - Thames & Hudson, 1999
(poucos sinais marginais a lápis)
This revelatory book looks at the distinctive situation of the settler society--countries in which large numbers of Europeans have displaced, outnumbered, but never entirely eclipsed native peoples. In this dynamic of dispossession and resistance, settler artists and designers have drawn on tribal motifs and styles, while powerful indigenous art traditions have been used to assert the presence of native peoples and their claim to sovereignty. Cultural exchange proves to be a two-way process, and an unpredictable one: much contemporary indigenous art draws on modern Western art, while affirming ancestral values and rejecting the European appropriation of tribal cultures.
10€

Partage D'Exotismes. 5eme Biennale D'Art Contemporain de Lyon - RMN, 2000
Bilingue Francês-Inglês
10€

Franz Boas - Arte Primitiva - Fenda, 1996
18€

Shelly Errington - The Death of Authentic Primitive Art - University of California Press, 1998
In this lucid, witty, and forceful book, Shelly Errington argues that Primitive Art was invented as a new type of art object at the beginning of the twentieth century but that now, at the century's end, it has died a double but contradictory death. Authenticity and primitivism, both attacked by cultural critics, have died as concepts. At the same time, the penetration of nation-states, the tourist industry, and transnational corporations into regions that formerly produced these artifacts has severely reduced supplies of "primitive art," bringing about a second "death."
10€

Eric Michaels - Bad Aboriginal Art : Tradition, Media, and Technological Horizons - Univ Of Minnesota Press, 1994
Bad Aboriginal Art is the extraordinary account of Eric Michael's period of residence and work with the Warlpiri Aborigines of western Central Australia, where he studied the impact of television on remote Aboriginal communities.
10€

Jean Laude - The Arts of Black Africa - University of California Press, 1973
2 pág. c/ subl. a marcador; sinais marginais a caneta; alguns subl. a caneta)
3€